Sunday, January 29, 2017

Crash

Relations and interactions, toss in all manners of races, fears and past actions, in "Crash" you get a fast-moving, unrelenting film exposing a web of tangential connections of many characters while tackling the sticky issue of racial prejudice that exposes the good and bad of human nature. The film is filled with a wide spectrum of colorful choices, never clinging to absolute morality, its pulse going in and out of focus like the heartbeat of racial tensions. You'll laugh and cringe at the observations and stereotypes that the characters espouse and deal with to regain some control and some order in their own lives.

Providence plays a part in the quite a few of the storylines, and the coincidences might feel too coincidental, it works for the most part as writer/director Paul Haggis takes on this topic while weaving a narrative dependent on many different little inter-connected stories, and you just never know how they inter-connect until they do.

The cast is uniformily good given the scant setup for their characters, as Haggis' economical script cuts the dialogue down to the bare minimum without leaving the viewer confused or stranded in the stories.

It's worth seeing at the theaters.

I give it 3.75 stars, or a grade of A-.

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