Saturday, February 4, 2017

The Good Shepherd

Considering Matt Damon's other spy role (Jason Bourne), the nuanced counter-intelligence moves executed by Edward Wilson had to bear some irony by viewers in simply the casting of Damon in both roles.

I have an interest in the material dealing with how the need for international spying was developed as WWII became a full-fledged event around the world. I did like the use of intercutting the fallout of the Bay of Pigs invasion within a few weeks of the debacle with Wilson's own personal story from college to said debacle, and its use in using his life as a metaphor in the personal and human costs that are a byproduct of activities relating espionage and counter-intelligence.

Life as a spook is not often exciting, but the ramifications of key moments can shape national policy and other national interests, even if the import of such events aren't known for years to come afterwards. The film keeps a very low key approach in revealing Wilson's life and the approach fits within such a secretive character, always living in the shadows while acting with the best intentions in a grey world of mistrust and misgivings.

Granted, it is a long film, over 150 minutes long, so don't expect a 90-minute thrill ride, it's more contemplative of the subject material, with a pace that easily produced paranoia from the very act of watching the film unfold. The pacing is intentional, but I don't think the casual film-goer will enjoy the pacing, and I think it would work better on DVD, viewing the film over 2 nights.

DeNiro keeps it as real as possible for a film that covers about 22 years of Wilson's life (1939 - 1961) and his role in being in on the ground floor of the beginnings of the CIA. For a film with a lot of shadows and innate darkness, it's a treat to take in the cinematography for this time period and become totally entrenched in it.

The acting is what it is as required by the subject material and script. Is it scintillating, no, but it is a film of secrets, of covert actions and consequences, both professional and personal.

I give it 2.75 stars or a grade of B- (would have been rated a little higher if the film was tightened up a bit).

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